too late2

too late 2 is a commissioned performance by Swedish-Italian choreographer Cristina Caprioli.

Cristina Caprioli has been given carte-blanche to create a performance using Mancopy’s dancers. Caprioli is the first guest-choreographer at the company, and we are extremely proud of the cooperation, which offers the Danish audience an opportunity to experience a performance by one of Sweden’s leading dance-artists.

Taking part:

Choreography, Cristina Caprioli
Assistant Choreographer: Anna Grip
Dancers: Eve Garnier, Kristina Veit, and Thomas Nørskov Andreasen
Costumes: The Ensemble
Lighting Design: Kim Glud
Music: highlights from the cd Tactual Senses af Polyspace
Photo: Christoffer Askman

First performance: 28. februar 2006 Teaterhuset, Odense.

Other performances:
29. februar – 5. marts 2006 Teaterhuset, Odense
21. marts – 25. marts 2005 Dansescenen, København

Performances

Company:

"Beautiful and harmonic dance opening in Odense
Mancopy comes to a beautiful start.
...simple, delicate and beautifully adorned. An ornament to the dance scene."
Henrik Lyding, Jyl. post 2nd March 2006

"Mancopy captures the city with a performance loaded with physical force, humor and elegance.
The quality of the dancers is exceedingly high.
Eve Garnier and Kristina Veit unite physical force with elegance, humor and expressiveness.
The two pieces effortlessly address people who are not familiar with modern dance.
Art lives within Mancopy."
Lene Kryger, Fyens Stiftstidende, 2nd March 2006

"Simple, tight and yet multifaceted choreography.
The dancing is distinctly beautiful, sensual and therefore also spontaneously appealing and accessible.
It is a large poetic room of expression with many tones, colors and shifts of atmosphere..."
Karen Wagner, AfsnitP 5th March 2006

"Fantastic achievement.
Gabriella Grundemar is the quintessence of energetic brute force. Eve Garnier and Kristina Veit represent gracefulness and Thomas Andreasen and Jens Bjerregaard demonstrate force and dynamics."
Iben Friis Jensen, Fyns Amts Avis 1st March 2006

"In organic hurling ornamentations the dance glides across the floor in... a swift, effortless flow of movement like a never lingering pen.
Musical atmosphere à la 1001 nights.
Elegant exotic and decorative."
Majbritt Hjelmsboe, Weekendavisen 10 March 2006